Hey mom and dad.
I’d like to thank you from the bottom of my heart for all the love and support you gave me in my passion for theatre. I know it wasn’t your first choice, Dad, but I appreciate your finding a way to love it. One thing I’m most grateful for is your acquired love of Shakespeare. Going to Cedar City with you guys to the Utah Shakespeare Festival has been an enormous benefit to me and my education. Without that, I wouldn’t have half the handle on Shakespeare I do now, and frankly, I may have ignored straight theatre altogether and lived my life only knowing musicals.
Since I know you two love Shakespeare so much, I thought I might introduce you to another beautiful sect of theatre: the Spanish Golden Age. Many Spanish Golden Age plays could almost pass for Shakespeare. One particular Spanish playwright, Lope Felix De Vaga Carpio, had similar play structures, with many changing scenes and progressive story lines that could occur over long periods of time, and even the same characters. Well, not exactly the same, but the same type. Mom, remember how much you loved the oaf in the Merry Wives of Windsor? Lope Felix De Vaga Carpio used the same sotck character of the compulsive liar, usually silly and fat as well, in his plays. There are also examples of the same type characters all across the board from English Renaissance to Spanish Golden Age, with Romeo and Juliet’s Nurse as a typical character.
Plays in Spain even used the same beautiful style of writing with beautiful language and rhythm. Shakespeare wasn’t the only one o use iambic pentameter.
So what do you say? Spain Theatre Festival next summer?
Wilson, Edwin, and Alvin Goldfarb. Living Theatre: History of Theatre. Sixth Edition. New York: McGraw Hill , 2012. Print.